Tuesday, September 07, 2010

[Sunlight] "Only now do you apprehend"

~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I've paid no attention to Your warnings:
while claiming to be an idol-breaker, I've really been an idol-maker.
Should I pay more attention to Your works or to death?
Let it be death, for death is like autumn,
and You are the root from which all leaves spring.
For years death has been beating the drum,
but only when time has fled does your ear hear.
In agony the heedless man cries from the depths of his soul,
"Alas, I am dying!" Has death only just now awakened you?
Death is hoarse from shouting:
from so many astounding blows, his drum skin has split,
but you enmeshed yourself in trivialities;
and only now do you apprehend this mystery of death.

~ ~ ~ ~ ~ ~ ~ ~

Az nasihat-hâ-ye To kar budeh-'am
bot shekan da`vâ botgar budeh-'am
Yâd-e son`et farz-tar yâ yâd-e marg
marg mânand khazân To asl-e barg
Sâl-hâ marg tablak mi zanad
gush-e to bigâh jonbesh mi konad
Guyad andar naz` az jân "Âh marg"
in zamân kardet ze khvod âgâh marg?
In golu-ye marg az na`reh gereft
tabl-e u be-shekâft az zarb-e shekeft
dar daqâyeq khvish-râ dar bâfti
ramz-e mordan in zamân dar yâfti

-- Mathnawi VI:771-776
Version by Camille and Kabir Helminski
Rumi: Jewels of Remembrance
Threshold Books, 1996
Persian transliteration courtesy of Yahyá Monastra

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~

------------------------------------

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Monday, September 06, 2010

[Sunlight] "There is no additional Seeker"

~


Today, Sunlight presents Ghazal (Ode) 425, in a version by
Professor Coleman Barks (developed from Professor Nicholson's classic
translation), and in a literal translation and transcription by Dr.
Ibrahim Gamard, with detailed commentary. As Sunlight subscribers
may know, the authenticity and accuracy of the various versions of
Molana's work have been discussed and debated at length, on
Sunlight's companion discussion mailing list, "Ruminations", and
elsewhere. Regardless of a reader's position on that subject, this
comparison of literal translation to poetic version illustrates the
effect a translator or interpreter can have on the message.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

For the lovers,* there is no seeking (done) by themselves,
(for) there is no additional seeker in the world other than Him.*
This world and the next are a single substance; in reality,
there is no unbelief, religion or faith.*
O you whose breath (is like that of) Jesus!* Don't breath from
(such) a distance! I am the admirer* of the one who is not far
thinking.*
If you say, "I'll go behind," Don't go! (There's) no behind.
(And) if you say, "[I'll go] ahead," No! There's no way ahead.*
Open (your) hand [and be generous], (and) grab (the hem of) your
own robe* [and be merciful]. (For) there is no bandage for this
wound except this garment.*
All good and bad (qualities) are parts of the dervishes;* whoever
is not like this, is not a dervish.
Whoever has gone beyond "place," his (only) place is the heart --
such a heart* for which there is no place in the world!

-- Ghazal 425
Translated from the Persian, with commentary
(C) Ibrahim Gamard
Oct. 7, 1999

*the lovers: means the lovers of God.
*other than Him: Chittick translated this (single) line as, "Lovers
themselves do not seek-- in the whole world, there is no seeker but
He." ("The Sufi Path of Love," 1983, p. 210). Sufis have often
extended the Islamic creed, "There is no divinity except God," to
obtain further mystical realizations, such as: there is no (ultimate)
being, existence, reality, actions, qualities, etc. except God's
Being, Existence, etc.-- and here, that there is no seeker except
God. This is another way of saying, "Seek God within, not outside of
yourself, and you will find that you don't exist, because there
exists only God who is the Seeker of Himself"-- seeking the
reflection of His own Divine Attributes in the completed human being.
*or faith: means that all of creation (including this world and the
next world, good and bad) is a unity (reflecting the Divine Unity of
God). And in contrast to the mystic's direct experience of the
overwhelming reality of the Presence of God, mental beliefs about the
Divine are irrelevant.
*breath of Jesus: refers to the healing miracles brought by God
through the Prophet Jesus (Qur'an 5:113).
*I am the admirer: literally, "I am the slave of." An idiom expressing
admiration.
*far thinking: Rumi usually uses this term in a positive sense,
relating to the wisdom of foresight. Here, however, he uses it as a
word play to his beloved spiritual master (Shams-i Tabriz): "Don't
keep distant from me, in any way!"
*no way ahead: means, "You and I are not separate; in our mystical
unity there is no distance behind or ahead that you can go!"
*your own robe: an idiom meaning to beg for help and mercy by grabbing
the hem of someone who has the power to be merciful or just. Here it
means: "Grab the hem of your own robe, for my sake, and be merciful to
me-- who is yourself!"
*this garment: a pun on the two meanings of the word "rêsh":
"wound"
(Persian) and "embroidered garment" (Arabic). Means that the spiritual
master's "robe of mercy" is the only bandage (or poultice, with
medicinal ointment on it) which can be wrapped around and heal the
wound of the lover's longing sorrow.
*parts of the dervishes: means all the Divine Attributes, beautiful or
severe, can be reflected in someone who is a true dervish-- and who
is truly surrendered to the Divine Will.
*such a heart: means that the heart of the dervish is mystically
transcendant and beyond physical location in the universe.
*no place in the world for it: This circumstances of the composition
of this ode were described by Aflaki (1353, eighty years after Rumi
died): "Sirâjuddîn said that one day Hazrat-i Mawlana [Rumi]
said, 'All of the world are parts of a single person, and in
reference to [the saying of the Prophet Muhammad], 'O God, guide my
people for truly they do not know,' is an expression of this--
(meaning) 'My people! O parts of me!' For if the unbelievers are not
parts of him, (then) he is not the whole."
After quoting this poem, Aflaki added two verses in the same
rhythm and rhyme: "Whoever has been soothed by the grace of Shams-i
Tabriz, there is no stinging wound on his heart caused by
oppression./ He pounds the drum of (spiritual) kingship in the
kingdom of (spiritual) poverty, since because of the treasure of
(mystical) knowledge, he is not poor!" [har ke luTf-é shams-é
dîn be-
n'wâz-ad-ash/ bar del-ash az qahr-é zakhm-é nêsh nêst.
kûs-é sulTânî
zan-ad dar mulk-é faqr/ k-ô ze-ganj-é ma`rifat darwêsh
nêst]
(Farûzânfar, footnote; see Aflaki, p. 163, 661)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

"There's Nothing Ahead"

Lovers think they're looking for each other,
but there's only one search: wandering
this world is wandering that, both inside one
transparent sky. In here
there is no dogma and no heresy.

The miracle of Jesus is himself; not what he said or did
about the future. Forget the future,
I'd worship someone who could do that.

On the way you may want to look back, or not,
but if you can say "There's nothing ahead,"
there will be nothing there.

Stretch your arms and take hold the cloth of your clothes
with both hands. The cure for pain is in the pain.
Good and bad are mixed. If you don't have both,
you don't belong with us.

When one of us gets lost, is not here, he must be inside us.
There's no place like that anywhere in the world.

-- Ode 425
Version by Coleman Barks
"The Essential Rumi"
Harper San Francisco, 1995

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Meter: XoXX XoXX X X

`âshiq-ân-râ jost-o jô az khwêsh nêst
dar jahân jôyanda joz ô bêsh nêst

în jahân-o ân jahân yak gawhar-ast
dar Haqîqat kufr-o dîn-o kêsh nêst

ay dam-at `îsà, dam az dûrî ma-zan
man ghulâm-é ân-ke dûr-andêsh nêst

gar be-gôy-î pas raw-am nay pas ma-raw
w-ar be-gô-î pêsh, nay rah pêsh nêst

dast be-goshâ dâman-é khwad-râ be-gîr
marham-é în rîsh joz în rêsh nêst

juzw-é darvêsh-and jomla nêk-o bad
har kî na-b'w-ad ô chon-în, darwêsh nêst

har ke az jâ raft jây-é ô del-ast
ham-chô del andar jahân jâyê-sh nêst

-- Persian transliteration courtesy of Ibrahim Gamard

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~

------------------------------------

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Friday, September 03, 2010

[Sunlight] "The one who keeps her heart awake"

~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

There is many a one whose eye is awake
but whose heart is asleep.
What, in truth, should be seen
by the eyes of creatures of water and clay?
The one who keeps her heart awake,
though the eyes of her head may sleep,
her heart will open a hundred eyes.

~ ~ ~ ~ ~ ~

Ay basâ bidâr cheshm khofteh del
khvod cheh binad did ahl-e âb o gel
Ânke del bidâr dârad cheshm-e sar
gar be-khospad bar goshâyad sad basar

-- Mathnawi lII:1222-1223
Version by Camille and Kabir Helminski
"Rumi: Jewels of Remembrance"
Threshold Books, 1996
(Persian transliteration courtesy of Yahyá Monastra)


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~

------------------------------------

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Thursday, September 02, 2010

[Sunlight] All that I uttered last night -- Ghazal 2537

~

Today, Sunlight offers Ghazal 2537, in versions by Helminski and
Barks, and in translation by A.J. Arberry:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

WHAT A MAN CAN SAY

In the name of friendship,
don't repeat to my Beloved
all that I said last night,
out of my mind;
but if, by God, she hears it,
she'll understand what a man can say
in the dark, loud or quiet, rough or soft,
when reason is not at home.
If God let's this anxiety out,
no one in the world will stay sane.
Mind, are these your dark suggestions?
Cloud, is this your sad rain?
Believers, watch your hearts.
Curious or kind, stay away.

-- Version by Kabir Helminski
"Love is a Stranger"
Threshold Books, Putney, Vermont, 1993

~~~~~~~~~~~~~~~~~~~~~~~~~~~

SOMETIMES I FORGET COMPLETELY

Sometimes I forget completely
what companionship is.
Unconscious and insane, I spill sad
energy everywhere. My story
gets told in various ways: A romance,
a dirty joke, a war, a vacancy.

Divide up my forgetfulness to any number,
it will go around.
These dark suggestions that I follow,
are they part of some plan?
Friends, be careful. Don't come near me
out of curiosity, or sympathy.

-- Version by Coleman Barks
"Open Secret"
Threshold Books, 1984

~~~~~~~~~~~~~~~~~~~~~~~~~~~

By the right of old companionship and friendship, do not
repeat to the Beloved all that I uttered last night, unconscious
and sick;
But if, as God decrees, that moon hears of those things, he
himself knows what a melancholy lover will say in the darkness
of night.
When reason is not at home, the tale will be distorted - now
low, now high, now war, now submissiveness.
If God should scatter my frenzy over the world, you will not
see one man with reason; all will be stripped of their reason.
Reason, can it be that you pour these dark suggestions into
me? Cloud, can it be you who rains upon me this troubled
potion?
Muslims, Muslims, guard well your hearts; let none go about
me, either to sightsee or to sympathize.

-- Translation by A.J. Arberry
"Mystical Poems of Rumi 2"
The University of Chicago Press, 1991

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~

------------------------------------

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Wednesday, September 01, 2010

[Sunlight] "Again we have returned from the tavern drunk"

~

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Again we have returned from the tavern drunk,
again we have escaped from above and below.
All of the drunkards are joyful and dancing -
clap your hands, oh idols, clap! Clap!
The fish and the sea are all intoxicated, for the
hooks are the tips of Thy tresses!
Our ruins have been turned upside down, the
vat has been upset and the jar broken.
When the shaykh of the Ruins saw this tumult,
he came to the roof and jumped.
A wine began to ferment, making existence
nonexistent and nonexistence existent.
The glasses broke and the pieces fell in every
direction -- how many drinkers wounded their feet!
Where is he who cannot discern his head from
his feet? He has fallen drunk in the lane of Alast.
The wine-worshipers are all busy with revelry -
listen to the strumming of the lute, oh body-worshiper!

-- Ode 516 (listed in book incorrectly as Ode 515)
Translated by William C. Chittick
The Sufi Path of Love - The Spiritual Teachings of Rumi
State University of New York Press, Albany, 1983
(Footnotes follow, courtesy of Ibrahim Gamard)

* tavern (may-khâna): symbolizes the gathering place of the sufis,
where they engage in mystical prayers and become "drunk" on
spiritual "wine."
* ruins (kharâbât): also an idiom meaning "tavern," and sometimes
translated as "tavern of ruin." Likewise, in the next line, "shaykh
of the Ruins" can also be translated "shaykh of the Tavern."
* Alast: the primordial covenant made between God and the
souls of all mankind, mentioned in the Qur'an: "And when your Lord
drew forth from the children of Adam, from their loins, their seed,
and made them testify concerning themselves, 'Am I not your Lord
(a-lastu bi-Rabbi-kum)?' they said, 'But of course! We do testify!'"
(7:172). In Islamic mysticism this is called the "Day of Alast." A
major goal of sufi mystics has been to "remember" within the soul
a full awareness (that is sometimes ecstatic and blissful) of the
Presence of God that has been forgotten by most of humanity.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~

------------------------------------

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