Monday, July 07, 2008

[Sunlight] "Choose A Suffering" -- Ghazal 1246

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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Choose A Suffering

Yesterday in the assembly I saw my
soul inside the jar of the one who

pours. "Don't forget your job," I
said. He came with his lighted

face, kissed the full glass, and as
he handed it to me, it became a

red-gold oven taking me in, a ruby
mine, a greening garden. Everyone

chooses a suffering that will change
him or her to a well-baked loaf.

Abu Lahab, biting his hand, chose
doubt. Abu Huraya, his love for

cats! One searches a confused mind
for evidence. The other has a

leather sack full of what he needs.
If we could be silent now, the

master would tell us some stories
they hear in the high council.

-- Ghazal (Ode) 1246
Version by Coleman Barks
"The Soul of Rumi"
HarperSanFrancisco, 2001

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Friday, July 04, 2008

[Sunlight] As Lakewater Rises in Mist -- Ghazal 2349

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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

As Lakewater Rises in Mist

The singer sings about love, until
the Friend appears in the doorway.

Kitchen smoke drifts up into clouds
and becomes a thousand-year-old wine.

I am here, not reckoning the credit
accumulated or future speculation.

I am the vineyard and the barrel
where the grapes are crushed, the

entire operation, whose transaction
pours this glass of wine, this moment,

thia poem. A man stumbles by with
baggage, papers from the house, regret

and wishing, not knowing which to
tend to. Neither. After you see

the face, concerns change, as
lakewater rises into mist.

-- Ghazal (Ode) 2394
Version by Coleman Barks, with Nevit Ergin
"The Glance"
Viking-Penguin, 1999

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~


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Thursday, July 03, 2008

[Sunlight] Story of the secluded dervish

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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Love for Certain Work

Traveling is as refreshing for some
as staying at home is for others.

Solitude in a mountain place
fills with companionship for this one,
and dead-weariness for that one.

This person loves being in charge
of the workings of a community.
This one loves the ways that heated iron
can be shaped with a hammer.

Each has been given a strong desire
for certain work. A love for those motions,
and all motion is love.

The way sticks and pieces of dead grass
and leaves shift about in the wind
and with the direction of rain and
puddle-water on the ground,
those motions are all a following
of the love they've been given.

-- Mathnawi III, 1616-1619
Version by Coleman Barks
Rumi: One-Handed Basket Weaving
Maypop, 1991

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Just as staying at home is easy for some,
traveling comes easy to others.
Each of us was made for some particular work,
and the desire for that work has been placed in our hearts.
How should hand and foot be set in motion without desire?
If you see your desire leading toward Heaven,
unfold your wings to claim it;
but if you see your desire bends to the earth,
keep lamenting.
The wise weep in the beginning;
the foolish beat their heads at the end.
Discern the end from the beginning
so that you may not be repenting
when the Day of Reckoning arrives.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Hamchonânke sahl shod mâ-râ hazar
sahl shod ham qawl digar-râ safar
Har kasi-râ bahr-e kâri sâkhtand
mayl-e ân-râ dar delesh andâkhtand
Dast o pâ bi mayl jonbân kay shavad
khâr o khas bi âb o bâdi kay ravad
Gar be-bini mayl-e khvod su-ye samâ
par-e dawlat bar goshâ hamchon homâ
Var be-bini mayl-e khvod su-ye zamin
nawheh mi kon hich ma-neshin az hanin
`qelân khvod nawh-hâ pishin konand
jâhelân âkher be-sar bar mi zanand
Ze ebtedâ-ye kâr âkher-râ be-bin
tâ na-bâshi to pashimân Yawm-e Din

-- Mathnawi, III:1616-1623
Version by Camille and Kabir Helminski
"Rumi: Jewels of Remembrance"
Threshold Books, 1996
Persian transliteration courtesy of Yahyá Monastra

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Story of the secluded dervish:

There was a dervish dwelling in a mountainous place:
solitude was his bedfellow and boon-companion.
Since the refreshing breeze* (of favour) was coming for him
from the Creator, he was weary of the breaths of man and
woman.
Just as staying at home is easy to us, so traveling is easy to
another class of people.
In the same way as thou art in love with dominion, that
worthy man is in love with the ironsmith's handicraft.
Every one has been made for some particular work, and the
desire for that (work) has been put into his heart.
How should sticks and straws go (from their place) without any
water or wind?
If thou see (that) thy desire (is) towards Heaven, unfold the
wings of empire, like the Huma* ;
But if thou see (that) thy desire (is) towards the earth, keep
lamenting, cease not at all from moaning.
The wise, indeed, make lamentations at first; the foolish beat
their heads at the last.
From the beginning of the affair discern the end (thereof), so
that thou mayst not be repenting on the Day of Judgment.

-- from: Book III, 1614-23
Translation and Commentary by Reynold A. Nicholson
The Mathnawi of Jalalu'ddin Rumi
Published and Distributed by
The Trustees of The "E.J.W. Gibb Memorial"

* Literally, "the north-wind."
* The lammergeier (great bearded vulture). According to popular belief
the falling of its shadow on any one was a sign that he would become king.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~


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Wednesday, July 02, 2008

[Sunlight] Tonight we go to that place of eternity

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Today, Sunlight offers two interpretations of Quatrain 168:

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Tonight we go to that place of eternity.
This is the wedding night –
a never-ending union
of lover and Beloved.

We whisper gentle secrets to each other
and the child of the universe
takes its first breath.

-- Version by Jonathan Star and Shahram Shiva
A Garden Beyond Paradise
Bantam Books, 1992

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This night there are no limits to what may be given.
This is not a night but a marriage,
a couple whispering in bed in unison the same words.
Darkness simply lets down a curtain for that.

-- Version by Coleman Barks
"Unseen Rain"
Threshold Books, 1986

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~

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Tuesday, July 01, 2008

[Sunlight] What does the water of your stream carry?

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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The surface of thought's stream
carries sticks and straws--
some pleasant, some unsightly.
Seed-husks floating in the water
have fallen from the fruits of the invisible garden.
Look for the kernels back in the garden,
for the water comes from the garden into the riverbed.
If you don't see the flow of the water of Life,
look at this movement of weeds in thought's stream.
When the water flows more fully,
the husks, our ideas, pass along more quickly.
When this stream has become a torrent,
no care lingers in the mind of gnostics:
since the water has become so swift and full,
there is no longer room in it for anything but water.

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Ru-ye âb ju-e fekr andar ravesh
nist bi khâshâk-e mahbub o vahsh
Qeshr-hâ bar ru-ye in âb ravân
az semâr-e bâgh-e ghaybi shod davân
Qeshr-hâ-râ maghz andar bâgh ju
zânke âb az bâgh mi âyad be-ju
Gar na-bini raftan âb-e hayât
be-negar andar ju-ye in sayr-e nabât
b chon anboh-tar âyad dar gozar
zu konad qeshr-e sovar zutar gozar
Chon be-ghâyat tiz shod in ju ravân
ghamm na-pâyad dar zamir-e `ârefân
Chon be-ghâyat momtali bud o shetâb
pas na-ganjad andaru ellâ keh âb

-- Mathnawi II:3296-3302
Version by Camille and Kabir Helminski
"Rumi: Daylight"
Threshold Books, 1994
Persian transliteration courtesy of Yahyá Monastra

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~


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