Thursday, December 14, 2006

Urs - - Joy returning in another form


Continuing this week's Urs celebration, Sunlight offers Ghazal
(Ode) 1937, from Rumi's Diwan-e Shams, in versions by Jonathan Star
and Coleman Barks, and in the A.J. Arberry translation, upon which
Barks based his interpretive version:

^ ^ ^ ^ ^

FROM BOX TO BOX

Don't weep.
The joy that has gone
will come `round again in another form –
Have no doubt about this!

A child's first joy
comes from its mother's milk;
After the child is weaned
his joy comes from drinking sweet wine.

This supreme joy has no resting place -
It enters one form then another,
from box to box – an eternal movement
between heaven and earth.

Here it comes, pouring down from the sky,
seeping into the earth,
and rising up again as a bed of roses.

Now it is water, now a plate of rice,
Now the swaying trees, now a horse and rider.
It lies within these forms for awhile
then bursts forth to become something new.

Isn't this like our dreams? –
The body sleeps
while the soul moves on
to take other forms.
You say,
I dreamt I was a cypress, a bed of tulips,
the blossoms of roses and jasmines.

Then the soul returns, and you wake up –
the cypress is gone, the roses are gone.

I tell you truly,
everything you now see
will vanish like a dream.

I do not mean to trouble you, O friend,
with words so bold as these.
Perhaps you will only listen to God.
He speaks more gently than I.

But how will you ever hear Him with
All that blathering going on? –
Everyone is speaking about golden bread
yet no one has ever tasted it!

O my soul, where can I find rest
but in the shimmering love of his heart?
Where can I see the pure light of the Sun
but in the eyes of my own Shams-e Tabriz?

-- Version by Jonathan Star
"A Garden Beyond Paradise: The Mystical Poetry of Rumi"
Bantam Books, 1992

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

UNMARKED BOXES

Don't grieve. Anything you lose comes round
in another form. The child weaned from mother's milk
now drinks wine and honey mixed.

God's joy moves from unmarked box to unmarked box,
from cell to cell. As rainwater, down into flowerbed.
As rose, up from the ground.
Now it looks like a plate of rice and fish,
now a cliff covered with vines,
now a horse being saddled.
It hides within these,
till one day it cracks them open.

Part of the self leaves the body when we sleep
and changes shape. You might say, "Last night
I was a cypress tree, a small bed of tulips,
a field of grapevines." Then the phantasm goes away.
You're back in the room.
I don't want to make any one fearful.
Hear what's behind what I say.

Tatatumtum tatum tatadum.
There's the light gold of wheat in the sun
and the gold of bread made from that wheat.
I have neither. I'm only talking about them,

as a town in the desert looks up
at stars on a clear night.

-- Version by Coleman Barks
"Open Secret"
Threshold Books, 1984

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Do not grieve over any joy that has gone forever, for it will
return to you in another form, know that for sure.
Did not the child find joy in its nursing and in milk? When the
child was weaned from milk, the joy came from wine and honey.
This joy is an unqualified thing which enters various forms,
moves from box to box between water and clay;
It suddenly displays its grace in the water of the rain, again
enters into the rosebed, and lifts its head from the earth.
Now it comes by water, now by way of bread and meat, now
by way of beauty, now by way of horse and saddle.
From behind these veils suddenly one day it peeps and shat-
ters all the idols, that which is neither that nor this.*
The soul in sleep leaves the body and appears in a phantasm;
the body is deposed and idle -- in another form it is manifest.*
You might say, "In a dream I saw myself like a cypress, my
face as a bed of tulips, my body as roses and jasmine.*
That phantasm of the cypress vanished, the soul returned to
its house; verily in this and that is a warning to all beings.
I fear stirring up trouble, though I would have spoken what
may be spoken, God speaks fairer than I - do not let go of the
saddlestraps of the faith.
Fa'ilatun fa'ilatun fa'ilatun fa'iltat, if you have not gold-
wheat bread, yet speak the golden words.
At last, Tabriz of the soul, look upon the stars of the heart,
that you may see this mundane sun to be a reflection of Shams-e
Din.

-- Translation by A. J. Arberry
"Mystical Poems of Rumi 2"
The University of Chicago Press, 1991

*Any object which keeps one from being absorbed in divine love
is an idol.
*See Nicholson's commentary of I: 400-1.
*"Kiyal (fantasy or phantasm) is the same as the World of Similitude
(`alam-e mesal), of which everything in the sensible world (`alam-e
sahada) is a reflection. The World of Similitude is a purgatory stage
between the worlds of souls and things." Sajjadi Farhang-e `erfani,
204.

The media:
http://tinyurl.com/tlzxk


Share/Bookmark

Urs -- “Fly up from this narrow cage”


Here, Sunlight continues this week's series of posts,
remembering Rumi's passing from this life:

^ ^ ^ ^ ^

You who fly up from this narrow cage
veering off beyond the heavens
you'll see a new life after this;
how long will you bear this life's drear? . . .
This body wore a butler's garb
now sports a more fashionable form.
Death means life and this life is death
though heathen eyes see negative
All souls departed from this body
live on, but hidden now, like angels . . .
When body's bricks crumble, don't wail
Sir, you've only been in a jail
when you emerge from jail or pit,
you stand regal, tall, like Joseph

-- Ghazal 3172*
From the "Diwan-e Shamsi Tabrizi"
Translation by Franklin D. Lewis
"Rumi, Past and Present, East and West"
Oneworld Publications, Oxford, 2000

*Professor Franklin cites this as Ghazal 3172, but the Sunlight
editors have been unable to confirm this in the Foruzanfar one-volume
edition. If subscribers are able to provide further information,
that would be appreciated.


Share/Bookmark

Wednesday, December 13, 2006

Urs -- "On the day of death"


This week, Sunlight is offering a series of poems in memory of
the passing of Rumi from earthly life, and specifically focused on
his teachings on the subject of mortality. Here, Ghazal (Ode) 911 is
offered, in a translation by Nader Khalili, in a version by Jonathan
Star, and in a translation by A.J. Arberry.

For more information on "Urs", the wedding, Sunlight suggests a
visit to

http://www.dar- al-masnavi. org/wedding- night.html

^ ^ ^ ^ ^

when i die
when my coffin
is being taken out
you must never think
i am missing this world
don't shed any tears
don't lament or
feel sorry
i'm not falling
into a monster's abyss
when you see
my corpse is being carried
don't cry for my leaving
i'm not leaving
i'm arriving at eternal love
when you leave me
in the grave
don't say goodbye
remember a grave is
only a curtain
for the paradise behind
you'll only see me
descending into a grave
now watch me rise
how can there be an end
when the sun sets or
the moon goes down
it looks like the end
it seems like a sunset
but in reality it is a dawn
when the grave locks you up
that is when your soul is freed
have you ever seen
a seed fallen to earth
not rise with a new life
why should you doubt the rise
of a seed named human
have you ever seen
a bucket lowered into a well
coming back empty
why lament for a soul
when it can come back
like Joseph from the well
when for the last time
you close your mouth
your words and soul
will belong to the world of
no place no time

-- Translation by Nader Khalili
"Rumi, Fountain of Fire"
Burning Gate Press, 1994.

~~~~~~~~~~~~ ~~~~~~~~~ ~

On that final day
When my casket moves along
Do not think my soul
will stay in this world.

Do not weep for me, crying, Tragedy, tragedy.
You will only fall into the snares of delusion –
Now that's a tragedy!

When you see my lifeless body go by
Do not cry out, Gone, gone.
It is my moment of union.
It is when I come upon
the eternal embrace of my Beloved.

As I am lowered into the ground
Do not say, Farewell, farewell.
For the grave is but a veil
covering the splendor of Paradise.

Having seen the fall
Consider the rise.
What harm ever came to the setting Sun or Moon?

What appears to you as a setting
is for me a rising.
What appears to you as a prison
is for my soul an endless garden.

Every seed that enters the earth will grow.
Should it be any different with a human seed?
Every bucket that is lowered into a well comes up full.
Should I complain when instead of water
I pull up Joseph himself?

Do not look for your words here,
look for them over there.
Sing to me in the silence of your heart
and I will rise up
to hear your triumphant song.

-- Jonathan Star
"Rumi - In the Arms of the Beloved"
Jeremy P. Tarcher/Putnam, New York 1997

~~~~~~~~~~~~ ~~~~~~~~~ ~

On the day of death, when my bier is on the move, do not
suppose that I have any pain at leaving this world.
Do not weep for me, say not "Alas, alas!" You will fall into
the devil's snare – that would indeed be alas!
When you see my hearse, say not "Parting, parting!" That
time there will be for me union and encounter.
When you commit me to the grave, say not, "Farewell, fare-
well!" For the grave is a veil over the reunion of paradise.
Having seen the going-down, look upon the coming-up; how
should setting impair the sun and the moon?
To you it appears as setting, but it is a rising; the tomb appears
as a prison, but it is release for the soul.
What seed ever went down into the earth which did not grow?
Why do you doubt so regarding the human seed?
What bucket ever went down and came not out full? Why
this complaining of the well by the Joseph of the spirit?
When you have closed your mouth on this side, open it on
that, for your shout of triumph will echo in the placeless air.

-- Translation by A.J. Arberry
"Mystical Poems of Rumi 1"
The University of Chicago Press, 1968

The media:
http://tinyurl. com/wa2ln


Share/Bookmark

Monday, December 11, 2006

Urs -- "Take my spirit totally from my body"


This week, Sunlight is offering a series of poems in memory of
the passing of Rumi from earthly life, and specifically focused on
his teachings on the subject of mortality.

Today, Sunlight offers Ghazal (Ode) 1716, in a translation by
Professor William Chittick. For more information on "Urs", the
wedding, Sunlight suggests a visit to

http://www.dar-al-masnavi.org/wedding-night.html

^ ^ ^ ^ ^

Tonight, take my spirit totally from my body, so that I
may no longer have shape and name in the world!
At this moment I am drunk in Thee - give me another
cup! Then I may be obliterated from the two worlds in Thee,
and be done with it.
When I have been annihilated through Thee and be-
come what Thou knowest, then I will take the cup of non-
existence and drink it, cup after cup.
When the spirit becomes radiant through Thee,
when the candle lights up - if not consumed by Thee it is raw,
raw.
Give me now the wine of nonexistence instant by
instant; when I have entered nonexistence, I will not know
the house from its roof.
When your nonexistence increases, the spirit will
prostrate itself to you a hundred times - oh you to whose
nonexistence thousands of existences are slave!
Give me wine, measure by measure! Deliver me from
my own existence! Wine is Thy special grace, intellect Thy
general grace.
Send up waves from nonexistence to steal me away!
How long will I pace the Oceans shore in fear?
The snare of my king Shams al-Din is catching
prey in Tabriz, but I have no fear of the snare, for I am
within it.

-- Ghazal 1716
Translation by William C. Chittick
"The Sufi Path of Love"
SUNY Press, Albany, 1983

The media:
http://tinyurl.com/y45zgc


Share/Bookmark

Friday, December 08, 2006

Is this the face of God?


Here, Sunlight offers Ghazal 2219, from Rumi's Diwan-e Shames,
in translations by Kolin & Mafi, Nader Khalili* and Professor
Franklin Lewis*, with a link to Persian and English mixed media,
courtesy of our friend Panevis, in Tehran:

^ ^ ^ ^ ^

I am the slave of that perfect Moon!
Don't talk to me of suffering, I don't want to hear.
Talk about light, joy and sweetness
and if you can't, keep silent!

Last night Love found me shouting, mad
and beyond myself, and said:
"I am here, why are you so worried and afraid?"
O Love, I am overwhelmed with fear.
"Be silent, let me whisper a secret in your ear,
just nod your head and don't say a word."

Oh how delicate, how subtle is the path of love!
This most precious Moon-like beauty appeared to me!

My heart, is this the Moon or my imagination?
"Be silent, it is not for you to understand
don't you see, you have been blessed."
But what is this, the face of an angel or a man?
"Be silent, what you see is beyond angels or men."
But what is it, tell me, or I will go out of my mind.
"Do not torment yourself, leave this house of illusions
and say no more."
"O please", I begged, "tell me, is this the face of God"
My heart nodded silently.

--Translated by Azima Melita Kolin
and Maryam Mafi
"Rumi: Hidden Music"
HarperCollins Publishers Ltd, 2001

~~~~~~~~~~~~~~~~~~~~~~~~~

i'm loyal
to the image and beauty
of my beloved
please speak of that image only
and say no more

whenever you're with me
speak only about
the generosity of candles
the generosity of the sugarcane
and say no more

don't speak of any suffering
show me the treasure that waits
at the end of the road
if you're ignorant of the path
then say no more

last night i was in flame
my beloved saw me and said
"i'm here at last
don't tear your clothes
lament no more"

i begged my beloved
to understand my condition
to sense my fear
my love said "when i'm present
you must seek no more

i'll whisper the words
of secrets into your ear
and you must promise not to answer
just nod your head
and say no more

the face of a sweetheart
has penetrated your heart
the tenderness is all there is
your journey is the journey of love
sense it to the depth and say no more"

i asked if the face
belongs to a human
or that of an angel
"neither this nor that
sense it but say no more"

i said if you don't
identify this for me at once
my life will be shattered
"be shattered at once
but say no more

you're dwelling in
a house filled with
images and dreams
pack all your belongings
move out but say no more"

you're simply expressing
the experience of God
i said to the beloved
"yes this is the answer
but for God's sake say no more"

-- Translation by Nader Khalili
"Rumi -- Fountain of Fire"
Cal-Earth Press, 1994

* For more on Nader Khalili, Sunlight suggests a visit to

http://www.calearth.org/

~~~~~~~~~~~~~~~~~~~~~~~~~

I serve that orb in heaven
say no word but Orb!
speak to me of nothing
but sweetness and light
Not of bother, but of treasure
and if you cannot find the words
don't bother.

Yesterday a craze came over me
Love saw, came up to me:
Here I am,
don't shout,
don't rip off your shirt,
hush, shh!

I spoke:
Love, I'm scared of that other thing
There is no other thing, say nothing!
I will whisper secrets in your ear
you just nod in asseveration
speak in semaphore

A nova, a celestial love
burst bright above the heartpath
so exquisite the quest of heart,
it cannot be expressed
I asked:
Heart, what orb is this?
heart intimated
beyond fathom
be quiet, forget!
Is this the face of man or angel?
Beyond men and angels
hush!

What is it? Tell me, I'm in a whirl
Whirl on, keep quiet!
You sit within this room
whose walls reflect
mere forms and suppositions
Get up, go out, move on,
keep quiet!
I said:
Heart, befather me,
for doesn't this match God's description?
Yes, my son, it does,
but do not tell.

-- Translation by Franklin D. Lewis
"Rumi -- Past and Present, East and West"
Oneworld Publications, Oxford, 2000

Franklin Lewis' notes:

I have used "orb" throughout these translations to render what is
literally "moon" (mah, qamar). this is the shining face of the
beloved, beside which all other thoughts and images pale.
Unfortunately, in English, "moon face" does not have a very happy
connotation.

*Franklin Lewis is Assistant Professor in the Department of
Middle Eastern Studies at Emory University in Atlanta. A specialist
in Persian literature, his thesis on Sana' i won the 1995 Best
Dissertation of the Year Award from the Foundation for Iranian
Studies.

The media:
http://tinyurl.com/y82plv
Share/Bookmark